This line encapsulates the concept of a good kid in a bad city, and it cuts into one of the most moral questions in human existence: Can good come from evil? The best part about the line, as is true of the best poetry, is that it doesn’t answer the question it asks. For Kendrick’s immediate purposes, he’s the flower and the city is the dark room. The question is: Can you trust him?
How do you say that you like yourself when you also feel small? Reconciling those two, of course they can exist at once. You don’t have to be in the brightest, shiniest state of being an individual to feel like you’re exceptional. (x)
Lately, feminists like Annie Lennox, bell hooks and Emma Watson have taken issue with Beyoncé’s sexual openness. While trying to discredit Beyoncé as a feminist, they seem to have forgotten one of the most important parts of Chimamanda’s speech in ***Flawless."What does a lady dress like, exactly? And who decided what a lady looks like? What bearing should one’s clothing have on one’s identification as a feminist? This is exactly the kind of misogynist policing we’ve fought tooth and claw against for decades, and to level this line of “reasoning” at Beyoncé is not only antifeminist, it is despicable." (x)
Oh man.. That last one.